Each selected painter is a favorite. We present you very different worlds that have moved us. From the work that makes us smile to the one that awakens darker aspects in us, they have all provoked reactions that are very personal to us. Behind each work we had the pleasure of discovering fascinating and humanly very rich artists. It is with grea...
Each selected painter is a favorite. We present you very different worlds that have moved us. From the work that makes us smile to the one that awakens darker aspects in us, they have all provoked reactions that are very personal to us. Behind each work we had the pleasure of discovering fascinating and humanly very rich artists. It is with great pleasure that we share their work with you. In each Biography a small personal fact is presented to you about our meeting with the artist. All the artworks presented here are available for sale online and in the gallery. You can buy a painting in complete tranquility. The website is secure and the updates of the available artworks realized in real time. We wish you a beautiful artistic discovery.


  • AMEY

    Born in 1968, Amey is a french painter. After an unusual career, Amey continues for many years her artistic work but it is only later that she decided to devote herself fully. A strong knife painting, sometimes monochromatic palettes, reduced and often dark are characteristic of her work. Amey explored the city, abandonated places, the edges of the seas, the sport...The artist follows her emotions, impulses and regularly changing the subject.

    The gallery's words

    What seduced us in the work of Amey is the strength that emerges from each canvas, a universe that speaks of the human, without showing it. Amey does not define herself as an artist, she prefers to say that she paints her emotions, the knife has replaced the pen and the canvas the paper. Amey often paints in reaction to events, so she can vary subjects even if her favorite terrain is architecture. It is this very work that has led us to represent it. Her works are like her, few words but the essential is said


    It all started with street art. Born in 1978 Fabrice Annevile Constance has always been attracted to drawing. Young teenager investing the streets of his graffiti, Fabrice Anneville began by talking about him, his life, developing an artistic identity influenced by Keith Haring, Michel Basquiat, Robert Combas or Hervé Di Rossa. From the street to the canvas, the artist has evolved his subjects by working on his representation of society. Fabrice Anneville, with intricate and complex round shapes, defends a cheerful, free and relaxed painting. The artist has a clearly identifiable color palette where the violence of the colors and the figurative will reinforce the belonging to the "Free Figuration".
    The wood support for volume creations accentuates his artistic writing already well marked. The artist tames the forms, masters the colors but leaves a total freedom to the interpretation of the subject, a colored work, dynamic which allures.

    The gallery's words

    Fabrice Anneville Constance came directly to present his work in the gallery. An open, attentive and simple artist who speaks passionately about his painting. I liked the construction of the works and Fabrice's artistic writing, so I immediately agreed to represent his work and participate in making his works known. Attracted by the street art it was only missing the meeting to open another facet of my artistic sensibility.

  • BOURO laurent

    Laurent BOURO is aFrench artist born in 1967 in Touraine inspired by his many travels around the world (Europe, Africa, Southeast Asia, Australia, New Zealand, South America, Central America, Caribbean...). Bathed by the cultures in which he has slipped, marked by all faces memories of the past, the artist gave birth several years ago to the series "Urban Mask" after the meeting and mixing of different cultural influences and techniques. The MÜ revolve around the question and ambiguity that raises the mask, revealing a culture and unavoidable pageantry of anonymity.

    The artist works tirelessly researching on the textures. He experiments techniques, pushing the boundaries of materials, plays with transparency to sublimate his oil paintings. His new work based on the depth of the soul as could do his previous work on faces. The tree, a witness of the time, our roots, spiritual quest, appears in the chiaroscuro as invincible, mystical, silent observer of our actions, yet still beaming, for us, of his purity.
    Recent work on landscapes highlights his work on pigments. Unique and warm colors on refined landscapes has met with great success among collectors.

    The gallery's words

    It is through the discovery of "Urban Masks" on the web that we discovered the works of Laurent Bouro and made us want to contact him. The transparencies of the oil on a black background, these faces that came to get us, remained in integration project for some time. In 2014 we exchanged and decided to meet. I discovered an artist of an exceptional generosity and goodness, a quality of work, a search and permanent questioning which seduce me and announce a very promising future for this artist. We planned an exhibition and agreed on its permanent presence in the gallery: the public had to discover this remarkable work! Our perseverance has been rewarded, true to itself Laurent continued his research, made new proposals without ever being satisfied with his achievements. Since 2014 it is always a pleasure to represent him, to discover his works that we receive each time as a gift.

  • P.BROSSEAU Raoul
    Raoul P. Brosseau is from Brittany (France). Perhaps you guessed it? Certainly, the Bretons have this ability to talk about what is essential to them, the ocean.  They live with the water, become one with the elements, blend into the aquatic environment. Raoul P.Brosseau has inherited a strong character from them and with the Atlantic Ocean as a backdrop, he paints childhood memories on pine lined beaches. Swimmers rewrite history, sometimes lying a little to make it more beautiful than it was.
    "Water is an element where you forget yourself, where you disappear. When we swim, we are no longer just ourselves but one with it. Time no longer exists. And when you come out of it, there's still that mysterious little smile on my swimmers' faces, at once disillusioned and satisfied. »
    So if Raoul P. Brosseau has always been swimming, he has also been painting since his early childhood. Drawings then paintings but it remains a pleasure of the lost hours. Raoul becomes a teacher, bookseller, journalist, press attaché, does communication, plays the ukulele in a band, writes detective stories... A busy literary and artistic life, then encouraging encounters allow him to participate in his first exhibitions. The artist will imagine this passage as follows: "as one jumps from a diving board a little too high, to realize delighted that everything is going well" the artist then devotes himself fully to the painting that has accompanied him all his life.
    His work revolves around mixed media, acrylic. A mixture of flat and relief, bright or gray colors. Contrast is one of the keys of his expression, like a shift that you don't expect.
    Today, for less than ten years, Raoul P. Brosseau has participated in many artistic events, has exhibited in several galleries, particularly in the west of France.
    And Raoul P. Brosseau is happy.

    Words from the gallery

    Raoul P. Brosseau contacted me by email during the period of confinement, a good time to think and start new projects. I discovered with great pleasure his element, his universe and this nascent perplexity in front of his works. I liked it very much but I did not give an immediate answer as the period was not really suitable for the integration of a new artist. One week later Raoul P. Brosseau called me, I felt a joy of life, a complete and complex journey and a real desire to establish a relationship of trust. The decision was made immediately and despite this period that was nailing us to the house, we wanted to start this new collaboration without delay while waiting to meet each other.


    After studying at the Fine Art School in Orleans, CAPTON devoted himself to his art from 1987, and from 1991 to the teaching of arts. In 2003, he stopped teaching to paint full time. Animal painter, portraitist of bulls and cows, CAPTON is also devoted to the landscape or the male nude.

    CAPTON is a committed artist, a demanding and passionate painter. He fully claims the heritage of the old masters and their ideal aestheticism. Artist of the New Renaissance, the beauty and emotion it provides is at the center of its creation.

    His work often refers to the universe of rurality, where he draws inspiration. The works of CAPTON evoke his questions about the competence and the legitimacy of the Man in the interference of the world.

    Omnipresent, the question of "domination" and its excesses, recurs repeatedly in the work of Capton. Domination of man over man, domination of man over nature and its programmed destruction. The artist questions, warns us against these abusive behaviors, destruction by the man of his environment. A cry of alarm to make us think and change our behavior.
    The theme of "sacrificied nature" points our responsibility on the future of the planet.The artist invites us to lead an active reflection.

    The gallery's words

    Our first encounter with the work of Capton dates back several years ago. Challenged by his work and the balance of power and domination he denounces we reacted quickly. A meeting in the gallery in 2016 allowed us to understand better the artist's work, to finally consider a collaboration that took shape in 2017 with the "Hommes-Taureaux". In 2018 we introduce in gallery his work on "sacrificed nature", a subject that speaks to our heart and in 2019 his painting on animals. CAPTON joins the gallery's committed artists and offers us different aspect of this subject.


    Claire and Siri are two artists, one French, the other Norwegian, who have been painting with four hands for almost ten years. The specificity of their work is the mixture of two perceptions of the plant world. This complementarity is their signature.
    Their favourite theme is “the tree”, a symbol common to all cultures and their diversity. The series «Roots» expresses the strength of nature by the oppositions of matter between the roughness of the trunk of the tree and the lightness of its foliage.
    Their works allow them to express their endless wonder in the face of the multitude of shades.
    "The "Man of Vitruvius" structures our canvases. Matter, colours and the balance of our trees provide us with the opportunity to question our own roots and the place of man in the world".
    Claire and Siri thus hope to contribute to defining the meaning of LIFE in the collective consciousness.

    The gallery's words
    The work of These two artists is a constant wonder before an environment that sometimes escapes our gaze. Nature takes its place again and 4-handed work brings this complementarity. I particularly liked this duo approach and this sharing in the first sense of art.

  • FERREIRA David

    A former geometrician who has suppressed his creative energy, David Ferreira knew how to take the risk of devoting himself exclusively to his art, painting, which he taught himself. The growing success of an artist who can no longer contain his creative energies is gradually allowing David Ferreira to wholly devote his time to the practice of his art, splashy paintings of thick and fluorescent acrylics.

    Levi dos Santios himself writes : "Ferreira is dazzing, without points of reference or idols.(...) in sum, his production is not painting, it is a mastered fountain". As such, one can consider Ferreira's pictoral instinct as the point of departure of his creation. Totally spontaneous, David Ferreira did not attend art school, yet his works shows no absence of academic structure. His particular structure is merged with the rigor of his mathematical mind.

    The painter shows a decided taste for mathematical and geometric sciences whose influence on his pictoral works is clear : signs, unsolvable equations or geometric figures ponctuate his canvases, entering into tension with the quasi-electric luminosity of his colors and his curves.

    David Ferreira doesn't paint with a brush : he uses the trowel, the compass or sliding ruler. The variety of materials used as supports, surplus or signals help the artist to continually renew his art, while maintaining real coherence in his artistic development. As a result, the viewer will have no difficulty perceving the aesthetic continuity of different series of works such as "Crayonnade", "Bar Codes", "Toto et sa femme" or "Warholizé".

    "A sensory, sensual painting, a burr ... a painting that overflows", this is what the artist proposes whose dynamic and dense work does not leave the indifferent eye.

    The gallery's words

    We discovered his work in 2010. Intrigued, sometimes perplexed, attracted but still too interrogative it is only a few years later that David joined our artists. A universe that I had to discover, an artist that I had to meet. David takes us into a naive world, joyful, colorful, he does not play the artist, he truly is an artist. With unlimited imagination, every subject, every situation, is a source of creation. David is just like his paintings. Since 2014 we have come to know each other and a great collaboration has been born. David Ferreira was immediately accepted by the Bordelais. In a medical office, a business, in an entrance hall, a living room, a kitchen, David has invested space bringing with him his good mood. In 2018 David Ferreira becomes the artist carrying the values ​​of the "Compagnie Fiduciaire" in Bordeaux. He will produce a work of 8x5m for the head office of the latter which will open next in Bordeaux. A challenge ? yes, David loves it! but also a beautiful collaboration with the company, a work that will be talked about.

  • FISCHER Jean-Christophe
    Born in 1971, Jean Christophe FISCHER is passionate by painting since an early age. Not finding the depth of soul that he was looking for, he stoped painting at 20 years old and turned to music, dance. Jean Christophe became percussionist and worked for ten years with great masters.
    "François Kokelaere made me gain 20 years of research, I owe him a lot."
    More than 10 years of observation, and encounters, enable him to mature his painting, to tap into the dark realities of life, feeling deep within himself altruistic feelings which he fully realizes. The artist finally gets back to brushes and tries out the abstract...but to his surprise it is the human who appears to him.
    "I didn't see it coming, it was a discovery, the material made me feel my deep resonance. So, as an insidious analysis, I went to meet myself...I must explore everything..."
    The man became his favorite subject. Mirror of the soul, his painting reveals a humanity full of doubts, questions, uncertainties...the face that appears on the canvas expresses the loneliness of the human being, his pain, his anguish. Yesterday and today these many faces could also be those of tomorrow. All these eyes scan us, follow us and we still hear them when we walk away. Ths is the deafening and disturbing truth.

    The gallery's words

    Even before the creation of the gallery I was irretrievably drawn to the works of Jean-Christophe Fischer. My first artistic "meeting" was done via an art magazine, I could not take my eyes off those eyes that were scrutinizing me ! Disturbing, certainly, but so captivating! In 2013 I decided to contact and to offer him a collaboration, without really thinking that he would accept, we were a young gallery and he already had a good representation and a great reputation. His "yes" was for me an unexpected gift, I was finally able to share my these patingins that I love. Since 2014 I made you discover his universe and invited you to follow him in his creation. Jean-Christophe is a committed person who favors human relationships, a common point that connects us and strengthens us in our collaboration.
    Born in 1980 in Lille, Hellen Halftermeyer did not first consider sharing her artworks as an artist, as if the mere fact of living her life was in itself an artistic act rather disheveled and often unconventional.
    Not so long ago, the click, making Art of living is not enough any mor. She focuses from now on her creative energy to the realization of sensitive artworks in which the human figure is preeminent.
    No matter the medium, there is a closeness in the way she paints and carves. Expressionist deconstruction of academic codes, sometimes furious, emanates tension and emotion.

    The gallery's words

    We discovered Hellen Halftermeyer's paintings in 2017. The  aroused emotions were so strong that we quickly contacted the artist. After some interesting exchanges about her very personal approach to painting we were convinced to present her work in the gallery. A first meeting with the artist, followed a few months later by an artistic proposal, gave meaning to our future collaboration. In April 2018, the first paintings of Hellen arrived and it was a real pleasure to discover these works of extreme sensitivity. Hellen joins the artists of the gallery and brings a feminine touch, mysterious, deep, to the intense work already presented in gallery. In perfect harmony with the spirit of the gallery we follow her work with great interest.

    Michel Lagrange wrote a poem "Mysterious" inspired by a work by Hellen
    "Appearance passage between two of life
    Moving universe
    Spiritual stained glass
    Without the partitions of a low-level lead
    In this great ocean dream
    A woman's impression evanescent
    Emerge ... "
  • HAUTON Ewa

    Delicate, vibrant, powerful, Ewa Hauton's work won't leave anyone indifferent.

    Born in Poland, where she studied Fine Arts, Ewa Hauton arrived in France in 1990. She won the prize "Les stars de la peinture" the first year.

    After obtaining a diploma of Artistic Director in Advertising, she began an activity of graphic designer, visual artsits, and scenographer, while begining an artistic carrer, painting and sculpting.

    For more than 10years, she has devoted herself exclusively ro painting. Her encounter with a choreographer will determine the direction of her work towards movement, as a profound representation of life.

    Her work focuses on the body, especially the women's curves. Between ink and oil paint,, Ewa gets rid of the superfluous of forms and materials. She gives life to movement, with accuracy and skill.

    On her ink works, a touch of color comes to pierce the black and white, like a geyser of life that brings us back to the essential. The large scales allow her a freedom of action that contributes to thte blossoming of her work, mixing painting and drawing.

    Ewa's work, like an oscillating mirage, touches us with a subtle sensibility, and leaves us fascinated in front of such transparency.

    the gallery's words

    We discovered the paintings of Ewa Hauton through a colleague in 2016. Interpelled by her "gesture" we began to follow her work and had the pleasure of presenting her first exhibition in June 2016 following many trades. In 2018 I had the pleasure of finally getting to know her and I could appreciate her generosity, her empathy and her kindness. Ewa corresponded in every way to what I felt in front of one of her painting. Free, curious, open, she continues to perfect her artistic work. Abstraction, figuration, movement, Ewa has created a recognizable artistic identity.

  • LAMY Henri

    French painter born in 1985, Henri LAMY calls by the spontaneity of his work. Colorful faces and scenes of life, Henri controls the techniques and is guided by his emotions. Influenced by Yan Pei Ming and Lucian Freud, Henri Lamy was introduced to "Dripping" and refines its identity. From abstract to figurative there is a space Henri invests with subtlety.

    The artist made his first exhibition in France in 2006 and then travels more and more regularly to Asia. These multiple exhibitions give him a real recognition of the artistic world. Very present in the asian market, Henri  grabbed these influences to present us a multicultural work. After his participation in the Japan Exhibition in Yokohama, the artist exhibited in Nanjing, Beijing, Tokyo, New York, Honk Kong, Singapore, Manilla and Bangkok.


    - Permanent artist, Bouillon d'art Art Gallery, Bordeaux, France
    – Ugnayan sa Poblacion, residency program, Taverne Gutenberg & ZHostel Manila, Philippines
    – Power, solo show, Qube Gallery, Cebu, Philippines
    – Figurations Nouvelles, group show, 59 Rivoli Gallery, Paris, France
    – Dans quel état j'erre, collaborative exhibit, Taverne Gutenberg, Lyon, France

    - Permanent artist, Bouillon d'art Art Gallery, Bordeaux, France
    – Charity Live Painting, Bergonié Foundation, Bordeaux, France with Bouillon d'art Art gallery
    – Solo show & Capoeira Painting Performance, SYP, Tokyo, Japan
    – Solo show & Capoeira Painting Performance, Zava Gallery, Tokyo, Japan

    – Solo Show, Le Petit Bateau, Sydney, Australia
    – Co-founds the art residence Taverne Gutenberg, Lyon, France
    – Visages d’ailleurs, Bouillon d’Art Gallery, Bordeaux, France
    – Malasimbo Music and Arts festival, Puerto Galera, Philippines

    – 100ECS collective show, 123 Daumesnil Gallery, Paris, France
    – Art residency, Montceaux-les-Mines, France
    – Hope, solo show, Modern Gallery, Bangkok, Thailand
    – Art’s Vice Collective Show, Lyon, France
    – Malasimbo Music and Arts festival, Puerto Galera, Philippines
    – Art Residency, Le Cent, Paris, France
    – Drawing Lessons at Orphanage House, Sao Paulo, Brazil
    – La Désœuvre, collective Show, Starter Gallery, Neuilly-sur-Seine, France

    – Jimmy Cliff & Joss Stone Official portrait, Manila, Philippines
    – Auction, Little sisters of the poor, San Francisco, USA
    – Wanderlust solo show, Altromondo Gallery, Manila, Philippines
    – Vue Privée, Singapore
    – Art Residency, Hôtel de Gallifet Art Center, Aix-en-Provence, France
    – Art Residency, Fei Gallery (Cao Chang Di), Beijing, China

    – Group show, Galerie Modus, France, France
    – Solo show, Galerie Saint Charles, Lyon, France
    – Lille Art Fair, Galerie Saint Charles, Lille, France
    – A Fool’s War, solo show, Coral Contemporary, Nanjing, China

    – Art Auction (by Henri Anton), Westminster Hotel, le Touquet, France
    – Exhibition at Galerie Flateurville, Paris, France
    – Selected to be part of 59 Rivoli, art residence in Paris, France

    – Exhibition, Art Up Déco, Paris
    – Collective Show, Maille Store, Paris

    – Exhibition at Galerie LeHalle, Paris, France

  • LEBAUDY Alias

    Alias Lebaudy is a self-taught artist. The engraving entered his life by chance, a simple mistake in the Canson paper sleeve transported him as if by magic beyond all imagination. In front of him this black support to animate,
    "Scratch card", absolute black under a virginal white layer.
    He still had to scratch the obscure matter, find words, put his soul into it.
    So much wealth, so much baseness accumulated in an existence. This existence has finally posed, spread like a perfume of eternity on the material of predilection.
    So many claws, as hazards of life to embellish, to make volutes and arabesques, to magnify.
    Faith, hope on the tip of a blade.
    Serenity, of the one who is moved by her dreams. The artist will humbly say of his work: "What a majestic chance to have found the extension of his eyes, his hand, his being...... »

    The gallery’s words

    I discovered Alias Lebaudy's work on the Internet. First challenged by the art of engraving to which I was not really sensitive, I found myself magically entering her universe. The deep blacks delineating majestic curves captivated me. We first met several years ago. This atypical artist touched me with his sincerity and passion for this art. He offered me one of his engravings which quickly found its place in my living room. Every day I take real pleasure in looking at her and immersing myself in this sometimes-mystical universe. One morning the decision was made I was going to present his work to art lovers and make them discover a contemporary, timeless engraving.

    Born at the beginning of the 90 in one of the biparental families of the Marne, Manat has always been interested in the soundscape and Brazilian percussion.
    He creates his first black metal band (Extreme Daniel Radcliffe Band) at the age of 15 and obtains his diploma at the music conservatory of Reims, specialized in drums.The band enjoyed some success due to the energetic performance on stage, and, during 10 years, he toured across France, from underground bars to national music festivals.But, as a result of cardiovascular discomfort caused by the absorption of a large amount of aspirin, Manat decides to turn the pate « Rock’n roll » of his life.

    He definitively changed his way of life, and rented a workshop in west Montpellier to devote himself to his new creative passion, painting.
    Real emotional choc, he then decides to make it his profession  as autodidacte.
    Manat still lives and works in the south of France, with this particular light, that the artist know so well.
    His work becomes a great success, recognizable to his portraits of humanized monkeys on abstract background. Treating the themes of his youth, tattoos and rock n roll, and other more classical univers on various medium.
    When asked the question : « Does the semantics of your work emancipate itself constantly from an academic analysis, or even a primordial rejection of the limit that underlies your work? » He answers « yes » in all simplicity, because he is a simple man first and foremost.

    The gallery’s words

    I discovered Manat’s work on the web, amused and caught by this work that represents humains attitude and comportement in gorillas and monkeys, we got in touch and met each other. I met an artist who takes real pleasure in exploring and provoking through his creation. Manant does not taking himself seriously, he is in the amusement and fun, which ended up convincing me if I still needed to be convinced.
  • MARCEL Pascal
    Emotion is at the heart of Pascal Marcel's work. His paintings do not lie, but act as a mirror where we are free to add our own history and experience. The artist transcribes with a touching honesty, scenes of real lives. Under his fingers, everyday banality becomes an ode to life and joy. Thus, the Man is in the center of his works, and Pascal "paints with admirable tenderness the wanderers of the night, the wounded of the life, the lost ones of the small mornings but also the joy of  childhood and the small happiness everyday simple ". Color balances deeply with the stoic character. It gives another dimension to the work, and to the emotion it arouses in us. Pascal Marcel reveals himself to be a true pictorial poet. Representing the human and the humanity, it manages without difficulty to transmit multiple universal emotions.

    Born in 1964 in Montélimar, Pascal Marcel is an autodidact. He began his first exhibitions in 1980. In 1993 he decided to devote himself entirely to painting and went to an abstract work. He devoted himself to figurative art during his five-year stay in Mexico, where he participated in numerous exhibitions. He will return with lots of bright colors and warm.

    The words of the gallery

    I discovered the works of Pascal Marcel a few years ago on a show. The extraordinary palette of colors holds the attention, then the magic operates. A great sensitivity, scenes of daily life, tenderness, curiosity, everything is mixed in us and the look continues to be lost in the work.
    It took more than 6 years for us to finally meet and make you discover his work.
    Sincere and very kind, the artist reveals a part of him through a prism, situations put in paintings that question us. We invite you to dive without restraint into the world of Pascal Marcel.

  • MONJO Nicolas
    After looking for his own path for a long time, Nicolas Monjo discovered painting at the age of twenty. Selfthaught, he developed his own technique  and allows him to play with the medium, offering a very personal style. The human figure is at the center of his work. His subjects often evolve in fantastic univers, and are not without any resemblance to the society and the world around us.
    The characters are locked up, crushed by the frame of the painting, they present a difficulty which makes us leave our condition, of the transcendence, in a violent and anxiogenic society which does not always allow us to break free. The "dominant / dominated" relationship is often evoked and the recurring figure of fish here is the ultimate expression. A palette of soft and dark color at the same time, creates a singular atmosphere.

    The words of the gallery

    Nicolas Monjo contacted  the gallery to present his artworks. I immediately perceived his technicality and went straight into his world. Seduced by the subject and his vision of the world, his artworks touched me. The first encounter with the artist, friendly and simple, achieved to convince me. Nicolas Monjo is genuine and sincere in his work, he does not really explain what led him to paint but recognizes the absolute necessity to create. With a true artistic soul, he prefers to stay in his studio and let others talk about his work. Nicolas brings a different touch in the gallery and joins the artists with a marked identity and a beautiful personality.
    An artist's name that immediately attracts sympathy! "Patoune" will tell you about her artwork with a shimmering accent from the south of France. The artist lives her painting in every nook and cranny, subject, texture, relationship to matter and colour, Patoune tells us about her travels, her encounters through her life. Emotions that breathe, human values that spring from the work.
     Dynamic and spontaneous, her technique and gestures border on abstraction. Colourful landscapes, silhouettes that draw themselves and invite you to follow them, the artist's artworks are almost tactile.
    Her artwork is recognized and the artist, represented in France and abroad, has joined a large number of collections.
    The words of the gallery

    I met Patoune at an art fair in Nantes. She had tears in her eyes in front of an artwork we were exhibiting. Artists are used to say that a work is for someone, Patoune had met hers. Since then our paths have crossed several times and I followed her work with attention. Very sensitive to her universe and hier work of matter, it is also her human values and her generosity that finally brought us together.
  • REHEISSER Thomas
    Born in 1977, Thomas Reheisser lives in a family environment that is conducive to the art he discovers as a whole. Two superb perspectives stand out for him as a matter of course: music and drawing. As long as he remembers, Thomas has always held a brush without allowing him to express himself fully. As soon as he graduated from high school, Texunion spotted his pencil stroke and recruited him, he designed for it the collections of this mythical brand until 2000, when the company closed. Thomas Reheisser then decided to resume his studies in music and became a teacher at the Mulhouse and Colmar conservatories. Passionate about the guitar, he expresses and transmits through the strings what the brush has not expressed for a long time. Then it was the shock, the trigger, he met Christophe Hohler, a famous plastic pianist. Thomas returns free, free to express through drawing, through painting. His first work, after all these years of silence, is simply breathtaking. Power, depth, maturity, Thomas has found his artistic expression.
    Unable to match it, we will quote Lionel Bamond, writer, discovering Thomas' works "Impossible to control the emotion by punching the stomach... In the hollow of these wandering and gushing creatures of a night of carbon, I guess, pell-mell, the blurring of Jean-Jacques Henner, the lighting of Caravaggio, the ink of Soulage, the solitude of Bacon".

    The gallery’s words

    3 photos in an email and a modest, almost shy presentation. Thomas Reheisser contacted me, a name I will never forget. The first visual haunts me, the second captivates me, the third decides me. Our exchanges are simple, the artist is in line with the message, modest, simple and generous.